A week on Sunday no. 40

History of concrete

What a funny quirky movie! Christian and I left the Dan Barber theatre downtown full of thoughts… In the shower the next day, I was still thinking about Jack Macco and how Wilson’s narration feels like it tempers eagerness. “Calm down” he seems to say, “let’s have a look here.” The between-projects feeling is real. The film’s editing that cuts from one idea to the next is my favourite thing: it’s the flash of curiosity alighting on a new tangent.

I’ve read some reviews online… The Gothamist (here) has lines about Wilson’s finding “meaning in the mundane” and how he is appreciated as a “comedic visual poet”. And this one (here) by Charlie Von Peterffy includes the line “concrete in reality and metaphor is mostly a myth of reassurance”. I like that. To pave is “to cover with a layer of something so as to form a pavement-like surface” and this documentary examines covers and plays with layers. 

How to critique

Sometimes I confuse feeling inspired with critique and I appreciate the distinction Dana Jeri Maeier makes (here): 

The most important thing I learned in art school does not fit in a nice click-bait-y list, however. The lesson arrived during a critique in a painting class. A fellow student was presenting her oil painting, a beautiful still life of an orange or maybe an orange peel. At one point in the crit, I mentioned how she could add a hand or something, some indication of a narrative or backstory.

I thought I was being clever, of course. But the professor shut it down immediately.

“She could do that,” he said. “But then it wouldn’t be her painting. It would be your painting.”

The ultimate lesson: judge art on its own terms, not yours. “This is what I would have done,” is not a critique. What’s the goal of the piece? Is it achieving it? Why or why not? That probably applies to a lot of life advice, too. If it were me, I’d do this generally does not take into account the fact that the other person isn’t you.

Ageing

This quote: “Ageing is the aggressive pursuit of comfort” (via an interview with Jim Murphy here) sounded like it was in conversation with Vivian Gornick’s discussion of literature. In The Situation and the Story, Gornick compares Jean Améry’s On Aging and Seymour Krim’s “For My Brothers and Sisters in the Failure Business” and writes: “each man, as he entered middle age, seemed overcome by the realization that he had not done the work necessary to attain inner freedom […] the work [D. H.] Lawrence was referring to when he said, ‘Man is free only when he is doing what the deepest self likes, and knowing what the deepest self likes, ah! that takes some diving.’ Central to both Krim and Améry was that each one considered himself a failure because neither - by his own lights - had engaged with his own deepest self. Here was a pair of men widely separated by culture, geography, and focus - yet both haunted by the inability to have faced down their own youthful anxieties, to have made themselves dive.” (P 64)

It’s a theme that continues to gain in relevance!

Cooking + Baking

We had friends over last Friday and I made Sam Sifton’s Chicken Shawarma (a NYT recipe here) and like he says “It is perfect for an evening with family and friends.” We served it, as suggested, with home-made sauces: tahini, white, and hummus; and home-made pitas and (not our) garden-grown cucumbers, tomatoes, and quickly-fried Indian eggplants. It was a fully customizable meal, delicious in all forms! I had fun writing labels so that the buffet-style table was self-explanatory.

For company on Sunday, I made Amanda Rettke’s Chocolate Zucchini Cake from her cookbook Homestead Recipes published in 2022. The recipe, featured (here) on her website, is similar, except for the simple syrup step. Instead, I frosted the cake with store-bought Betty Crocker chocolate icing. 

Enjoying

  • I like it when different reading and listening sources converge on a subject. First there was Manoush Zomorodi’s post (here) on the subject of publishing and marketing her latest book, Body Electric. One of the post’s subtitles is: “Podcasts aren’t the powerhouse converters they once were.” (Via) And then, I listened to Derek Thompson’s podcast episode with Chuck Klosterman, titled “Why Things Become Popular” (here) in which part of the discussion is an appraisal of non-fiction book sales and podcast appearances. 

  • I mentioned illustrator and author Melissa Sweet in the previous post, and this week savoured her book Some Writer. I don’t think categorization should impede the enjoyment of a book, and it is all the more perfect that W. B. White who declared “I would rather wait a year than publish a bad children’s book, as I have too much respect for children” should be the subject of a biography that, in turn, treats its readers with just as much respect… One proof of this is the book’s 135-page length. Lots of good quotations, including this gentle poem (here).

  • I like following Ryan Stefan (website here) on TikTok if only because it makes me able to talk about perfume with better vocabulary. His website has a great list of Canadian perfume brands.  

  • I never thought of clenched vs unclenched as an attitude, until I read this article (here), and since then, I’ve  thought about it often. I know someone who laughs heartily, like the article describes, and the observation - “you can tell how much work someone has done on themselves by the depth of their laughter” - feels true. Via

Walking the dog

As soon as the wind picks up, it rains leaves. Otherwise, cool still mornings are alight with colour, and we’re enjoying every one of them!

Happy Sunday!

Friday Five

Welcome to another edition of “Friday Five” where I pause regular work to play around with words and try to be useful by sharing a few things I’ve enjoyed this week. Have a seat! This edition brings you an art book, a Netflix series, an audiobook, a cake and the tiniest of flowers. Happy Friday!

1. Drawing for Illustration by Martin Salisbury

This book is brilliant. I wish I hadn't read it so that I could enjoy reading it for the first time again. Books on drawing that I've read so far, fall into categories, like how-to or glimpses into artist's work and perhaps that's why this book felt so unique and fresh... it was neither of those things, even if basics are laid out in the first part, and quotes from illustrator/artists are interspersed throughout the book. 

Because having only recently ventured into this hobby, everything can feel overwhelming, having the steady voice of an experienced person feels like just the right kind of guidance. Although I knew that yes, everyone can draw, getting better at it is about learning to see. Seeing is a skill that develops with time and practice and Salisbury is direct about it. "While experimenting with a range of media is ultimately important, when trying to get to grips with the basics of drawing, it is advisable to focus on the process of learning to see rather than giving in to the distractions of the respective effects that can be created by the myriad drawing implements available."(p. 52) Seeing people's work online has positives and negatives: "On the one hand, there is now unprecedented instant access to an enormous array of influence from wide-ranging visual cultures and traditions. On the other hand, it is easier than ever to slip into imitative mannerisms by (consciously or unconsciously) for example, drawing foliage that owes more to the decorative patterns of a particularly admired picture-book maker than personal experience of the real world." (p 105) Teaching yourself to draw from memory is an exciting and challenging next step. 

I love how the book is written; everything is divided into categories, each heading gets a succinct text often containing description, historical context, advice and examples. Not just current illustrators are profiled, but ones from the past too; their qualities are highlighted as are the mediums in which they worked.

I so enjoyed reading this book!

2. Guilty pleasure

Indian Matchmaking (Netflix)

3. An audiobook that's fun to listen to

Unlike some podcasts, audiobooks have little in the way of special effects. (One narrator was described in the review as having a "nasal voice"!) Coming across a book read by the author is always a plus, but coming across an author who genuinely seems to enjoy narrating what they wrote is especially delightful. I didn't know this could exist to the degree it does until listening to Lucy Worsley narrate her book titled Agatha Christie: An Elusive Woman. It feels as though she read the entire thing smiling! She even seems to chuckle at parts! In the audiobook, she narrates "The early acidic Miss Marple is actually the Miss Marple I prefer. But perhaps that's because I'm a nasty old cat myself." I can't even imagine that is true.

4. A treat

If I were to bake myself a treat for Mother's Day, it would be this cake. 

5. The scenery here

The trees this week have all sent forth their seeds. Because I arm myself with a camera, I've been paying closer attention to the display this year and have enjoyed the variety and detail... 

Just look at these seeds! Black and white and pink and green! They look like they’ve put on a dress to go Flamenco dancing!

From a rainy day to a sunny day, this tree with its tiny buds went from quiet and modest to bright and buzzing, attracting to its tiny yellow flowers a swarm of happy bees.


Psst: Take care!